Friday, November 25, 2011

Harry Clarke's stained glass: Panels from the National Museum of Ireland, Collins Barracks, Dublin


Details of "A Meeting", 1918

The details and images of the stained glass panels in the National Museum of Ireland are illustrative of many facets of Harry Clarke's work; decorative secular, and commemorative panels, and a religiously themed window. The works also span a large portion of the career of Harry Clarke, whom it must be remembered died at the age of 41. The Unhappy Judas panel was produced in 1912 for the South Kensington examinations in London and the Royal Dublin Society's Art Industries Exhibition in 1913. The panel won awards in both exhibitions.

The panel entitled "A Meeting" above, was produced in 1918 and is a diminutive, and highly detailed oval stained glass panel. It is similar in style to some other similar panels commissioned about this time, and indeed the illustrative work designed for the London publishers Harrap. Titles which Clarke worked upon during this period include "The Fairy Tales of Hans Christian Anderson" and "Tales of Mystery and Imagination" by Edgar Allen Poe. This particular panel is inspired by a ballad written by Heinrich Heine.

The panel below is a portrait of General Richard Mulcahy and was probably produced in or about 1925. General Mulcahy fought in the 1916 Easter Rising, served as Chief of Staff of the Irish Republican Army during the War of Independence [1920 - 1922], and was commander of the pro-treaty forces in the Irish Civil War [1922 - 1923].

Portrait of General Richard Mulcahy, Circa 1925

Detail of "The Unhappy Judas", 1912

Saturday, November 19, 2011

Harry Clarke's stained glass: Church of St John the Baptist, Blackrock, County Dublin

A detail of from the lights depicting St Francis [1925]

A detail of the light depicting St Hubert [1925]

Lights depicting the Crucifiction [1925]


The martyrdom of St Sebastian [1925]

The windows attributed to Harry Clarke in St John the Baptist's church in Blackrock County Dublin are probably the work of his studio with a little intervention and direction from the master himself in places. There are two windows on either side of the nave and each window contains four lights. The windows are said to have been executed in 1925, when Harry Clarke was occupied not only with the commisioning and initial discussions relating to the Geneva window, but also exhibitions, illustrations and ongoing work. There was a considerable amount of work being produced by the Clarke studios during the mid 1920s.

The windows reportedly protray on the left Our lady of Mount Carmel, St Sebastian and St Hubert. On the right hand side of the nave the lights depicting the Crucifiction and St Francis.

Lights depicting St Francis [1925]

Monday, November 7, 2011

The Good Life: Autumn rewards

A basket full of tomatoes and one our orange hubbard pumpkins

Autumn not only introduces the first chill in the air but the sweet scent of ripening and decay, as the leaves gradually wither and fall. As the weeks surrender inevitably through October the first ground frosts are evident and we gather the last harvest baskets from the allotment. Despite heavy winds and rain our large variety of  tomatoes, for the most part, ripened. The vast quantity of bright red tomatoes forced us into great activity making richly flavoured vegetable lasagnas, pizza Napolitana along with the last of our anchovies from Palermo, and a rich tomato apple and courgette chutney. Those tomatoes that did not mature and ripen from the green department to the red department were also destined for the chutney treatment. Steamed and blended hubbard pumpkin flesh added to an egg custard mix enriched a the noble but simple creme caramel.


Corinne surveying the allotment and hoping I do not fall off or go through the roof of the shed

As the various crops gradually get cleared we have begun the task of digging the beds and  spreading manure to give the necessary fertiliser and boost for next years crops. The turn in the season has not stopped all growth in the allotment as the Swiss chard, sorrel, fennel, kale, mache, celery, leeks and some cabbage continue to thrive. The raspberries, despite being thrashed about in the stormy winds, have recovered for the last few weeks producing fragile but some very tasty fruit for Corinne to nibble as she works. The artichokes have been quite surprising; once mid October arrived we expected them to stop producing. We were wrong. This year the artichokes have produces constantly from May all the way through to the start of November. 


A single line of beetroot remains in the ground, being the remnants of numerous thinngs and pickings. In recent weeks the apples in a local orchard have also matured, and have been put to good use in the annual chutney production. My personal favourite so far is the beetroot and apple chutney, published by Darina Allen's Forgotten Skills of Cooking at page 439. Not wanting to waste the trek on foot along sodden tracks, across fields and deep ditches, en route to the orchard, we gathered a good supply of blackberries over a succession of weekend pilgrimages to make apple and bramble jelly, and pure bramble jelly. 



A selection of our colurful and healthy Swiss chard - the sorrel is just not photogenic no matter how healthy it is!

Corinne recently had a craving for sorrel soup also known as soupe รก l'oseille, a lesser known favourite of French regional cooking. To make a good pot of very tasty sorrel soup we cut back an entire sorrel plant. We have five plants in the allotment and they grow back incredibly quickly. Therefore, with the application of some careful rotation, and minimal plant care, we could enjoy this humble mouth watering potage every week! Essentially one strong healthy plant with give you about a carrier bag full of leaves, approaching 500 grams.

 Corinne in the sorrel patch cutting the leaves from one of the plants and not a bad shot of the sorrel either!

To make the soup, prepare the leaves by washing them and removing the stalk. You will also need 1.5 litres of good vegetable or chicken stock. We add two or three leaves of chard to mellow the citric tang of the sorrel. The chard should be washed and roughly chopped or torn, reserving the stalks to use in another dish (we have added the stalks rather than let them go to waste - no harm!). Clean and chop a leek, and peel and chop two medium sized potatoes. Once all the ingredients are ready to go, melt some butter in a large tall pot. When the butter has melted, toss in the chopped leek and sorrel leaves, cooking gently until the sorrel begins to wilt (about 5 minutes). Then pour in the stock followed by the chard and the potatoes. Season with salt and pepper and cook for about an hour. To finish the soup use a blender stick to liquefy the contents of the pot. Serve the soup with some fresh cream. It makes a surprisingly flavoursome bowl of soup, and a hard act to follow.

I am always surprised about the vibrant colours on display in the Autumn. Not just from the richly golden and rusty shades of the deciduous trees but in the flowers vegetables and plants that manage to keep on growing deep into November, until they are finally taken by a fatal frost. The rose hips continue to glow red, and the glossy hardy Swiss chard stand tall in the beds. Not far away the nasturtium bloom with a resilient yellow.in the sunshine.


Nasturtium flowers

There is very little that can be planted at this time of year but Harry has put down some winter onion sets in between spells of digging and manuring the raised beds. Corinne and I have planted garlic in anticipation of adding to the other crops which we expect to yield in the Spring. In addition to the onions and garlic, we are hopeful the purple sprouting broccoli, and asparagus will arrive just after the trustworthy rhubarb.

Fishing fleet at low tide in Skerries

Cooked blue velvet swimmer crabs

This Saturday we took a break from the allotment and headed north along the coast pulling into the small fishing harbours that dot the rocky coastline of north county Dublin. Our tour took us to Rush, Loughshinny and Skerries to enjoy the fresh crisp sea air on what was a stunning day. We watched a group of fisherman lifting their pots off Loughshinny and landing them on the beach. Later in the afternoon the same guys were working the pots off Skerries, and recognising us from Loughshinny, very kindly gave us a bucket of blue velvet swimmer crabs. Much smaller than the brown shore crab, they are largely exported and are not often to be found in local fishmongers. You might find them in Spain garnishing a paella or a fish soup, being valued for their sweet flavour. Being quite small they take a good deal of time to pick the meat from the shells and legs, but it is worth the effort. Drop them into a pot of salted boiling water. Once the water comes back to the boil simmer for five minutes and thereafter allow them to cool. The bucket of crabs we were given may have taken five minutes to cook but took about three hours to shell and are now destined for a fine crab tart.